Fahmy Shahin
  • The Imro Sequence, 2021; solo exhibition
  • Triangle France Residency Open Studio, 2018; solo presentation
  • Journey in the Land Where Time Rests, 2017; solo exhibition
  • Between the Onion and Its Skin, 2016; solo exhibition
  • Plastic/Ocean/Desert/Sky, 2016; BA Thesis exhibition
  • ------------------------------------------------
  • Left Laundry, 2020; group exhibition
  • Presque Toute, 2019; group exhibition
  • A School of Schools: Design as Learning, 2019; group exhibition
  • Staying Alive, 2018; group exhibition
  • My Practice My Politics, 2018; group exhibition
  • This Art Fair, 2017; duo presentation
  • ------------------------------------------------
  • Selected talks and essays
  • Contact

Maps as bridges between imagination and reality, as vehicles for greater narratives; 3D additive technology as a commemoration of petroleum, as a translation machine between the immaterial and material world.

Plastic/Ocean/Desert/Sky features identity a battlefield, where narratives of self-fulfilling prophecies fight to win a place in the material world.

Read more about the work in The 3D Additivist Cookbook

Also featured in a solo presentation at Petra Ark Space (Amsterdam) in 2016

 

The Old Is Dying And The New Cannot Be Born, 2016
The Old Is Dying And The New Cannot Be Born, 2016
The Antichrist, 2016
The Antichrist, 2016
Fahmy Shahin
  • The Imro Sequence, 2021; solo exhibition
  • Triangle France Residency Open Studio, 2018; solo presentation
  • Journey in the Land Where Time Rests, 2017; solo exhibition
  • Between the Onion and Its Skin, 2016; solo exhibition
  • Plastic/Ocean/Desert/Sky, 2016; BA Thesis exhibition
  • ------------------------------------------------
  • Left Laundry, 2020; group exhibition
  • Presque Toute, 2019; group exhibition
  • A School of Schools: Design as Learning, 2019; group exhibition
  • Staying Alive, 2018; group exhibition
  • My Practice My Politics, 2018; group exhibition
  • This Art Fair, 2017; duo presentation
  • ------------------------------------------------
  • Selected talks and essays
  • Contact